Tag Archives: John Heilemann

Thomas Mallon: Watergate, the Novel

12 Jan

 

 

 

 

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

Given the deplorable state of historical literacy in the greatest country in the world, I have long held that if I were allowed to teach history there are a number of novels I would include in my lesson plans—in addition to the eye-opening, ground-breaking People’s History by Howard Zinn. Thomas Mallon has written a number of those novels—Henry and Clara, Two Moons, Dewey Defeats Truman, Bandbox, Fellow Travelers, and now Watergate.

This is the fifth or sixth conversation I have had with Mallon since the mid-’90s. Needless to say, he is a delightful and erudite conversationalist. Watergate, the historical event, which we both remember vividly, occupies much of what follows, including postmortems on Nixon, Kissinger, the Mitchells, John and Martha, and some others. Additionally, Mallon dedicated Watergate (the novel) to his good friend, the late Christopher Hitchens,[1] which, of course, sparks an enlightening tangent on Hitch.

By the way, it should be useful to keep in mind that what follows is a chat about both a nexus of historical events and a novel of the same name.

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Robert Birnbaum: I keep reading that it’s the 40th anniversary of Watergate. So what? Why should anyone care?

 

 

Watergate by Thomas Mallon

Watergate by Thomas Mallon

Thomas Mallon: The [book’s] publication was not timed for the anniversary. In fact the book was ready to come out in the fall. I would have been happier if it had—it would have been an easier semester for me, traveling around. And I don’t think Watergate anniversaries have been big, generally. The problem is there is no one thing to peg the anniversary to. You could do an anniversary for when Nixon resigned, the anniversary of the break-in—so I think it’s just a journalistic convenience to mention it.

RB: Did I miss John Dean’s review of your book?

TM: Just this morning I saw—I was sent something.

RB: He mentioned the book in the context of a review of Max Holland’s book about Mark Felt [Deep Throat].

TM: That’s right.

RB: Dean suggested he wasn’t going to read your novel.

TM: He said his friends were reading it. They were asking him, “Did Mrs. Nixon really have an affair?” And he said, “No, not to my knowledge.” And he didn’t think she could have had an affair in the way she does in the book. That I didn’t quite understand. The affair she has in the book predates her husband’s presidency. It’s an affair she has in New York in the ’60s.

RB: Doesn’t she meet her lover in South America?

TM: In Brazil. He does meet her there, but while she’s First Lady they have only two fleeting and chaste encounters in the context of big public events. So I wasn’t quite sure what he [Dean] meant by that.

RB: This is historical fiction, which readers ought to be reminded of. But why create a love affair for the character, Pat Nixon?

TM: I think in some ways it’s the emotional heart of the book—Mrs. Nixon and this affair. Frank Gannon [in the Wall Street Journal] was quite nice to the book but he did not like that.

RB: Many reviewers have lauded the book.

TM: People have been very kind—I’ve been delighted. But he was left queasy by the affair. He said, “Imagine the Nixon daughters reading this.”

RB: He quoted you saying you can’t libel the dead.

TM: It’s very interesting what he tried to do. But finally, I had to disagree with him. I had once written in an essay that there are things you shouldn’t do to the dead even though they are dead and can’t be litigious. This was in reference to a movie that had been made implying that Thomas E. Dewey, who was once a character in one of my books [Dewey Defeats Truman], had actually been corrupt. To me, to say that Mrs. Nixon might have had this tender, brief affair is not an iniquitous thing. I fictionalized her life more than some of the others, but in a way this falsity or invention somehow allowed me to get inside her head in a way I don’t think I could have otherwise. In a peculiar way, I got to some aspects of the truth about her via invention.

RB: Again, the critical chorus was adulatory. One critic called the Watergate episode “vaudevillian.”

TM: It may be my own fault because I wrote the flap copy myself.

 

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

RB: That’s one part of the book I didn’t read.

TM: And I did write in the flap copy (picks up book), “It conveys the comedy and the high drama of the Nixon presidency.” And there definitely are comic moments in it. But I have been somewhat surprised by the reviews that have emphasized the comedic aspects of the book. More than I expected; more than I thought they existed.

RB: There are a lot of characters, but Fred LaRue becomes central to the story. He has this personal tragedy and an odd relationship. Why focus on LaRue?

TM: He appealed to me for a couple of reasons. I remember seeing a documentary that was made about 20 years ago and featured him. His soft-spokenness, his shyness, the fact that he choked up at one point. He just began to intrigue me. There are about three invented characters in the book. The tip-off in the dramatis personae is the three names in quotation marks. The woman he is involved with, Clarine Lander, is also a fiction. But the great calamity of his life, prior to Watergate, involved him killing his father in a hunting accident in Canada and inheriting a lot of money. Naturally, a certain amount of suspicion or whatever you want to call it is going to cling to a person in those circumstances. That intrigued me. He is very shadowy.I am not very good with villains generally. I think the closest I come to villainy in my books is the shadowy presence of John Wilkes Booth.

RB: Did he never find out if it was an accident?

TM: In my story he never really knows. And that gets all wrapped up with what happened in Watergate years later. He’s very shadowy. He had no title, no salary. He did a lot of things for John Mitchell, whom he really loved. And he lived in the Watergate.  There was one newspaper profile of him in September of ’72, prior to Watergate really exploding. It suggested something like, “He seems to be out of one of [Faulkner’s] Snopes novels.” And that appealed to me. I had a list at the beginning—I still have it in my files somewhere—with dozens and dozens of names that were potential point-of-view characters. And it finally came down to seven. There’s a huge cast, but only seven—

RB: And you cast Alice Longworth prominently. I lived through Watergate I don’t remember her presence. Was she interviewed a lot?

TM: A little bit. She turned 90 at the time. Nixon went to her birthday party at her house in Dupont Circle. She wrote somewhere, when time was running out for him, “Oh I think the clock is dick, dick, dicking.” She had known him from the time he had come to town in the ’40s. She had marked him as a comer. She was very fond of him and Pat, and at least one of the daughters. She said to an interviewer, one time, “Tricia:  what’s wrong with her?” She was in the Nixon White House more than I thought when I began looking at the schedules. So I made her into my one-woman witches’ chorus. People have wondered why I didn’t use Martha Mitchell, who was so flamboyant—

RB: She was a drunk.

TM: (laughs) That’s the problem. She was really too far gone for most of Watergate. And she is really absent from the scene—the Mitchells decamped for New York pretty early on. She just wouldn’t have worked.

RB: From the outside, John Mitchell struck me as a gruff and unattractive person. He does come off as a more sympathetic character in your narrative—as do most of the people.

 

Henry and Clara by Thomas Mallon

Henry and Clara by Thomas Mallon

TM: I am not very good with villains generally. I think the closest I come to villainy in my books is the shadowy presence of John Wilkes Booth [in Henry and Clara] (laughs).

RB: Haldeman? You seemed to get Nixon dead on—a misanthrope in a flesh presser’s profession.

TM: Yeah. There are people who claim that he actually liked politics and liked campaigning. I find that kind of hard to believe. But where Nixon is concerned:  what would be the point of writing a novel about someone who’s just a mustache-twirling villain? I just wanted to see all this with a certain intimacy. You are right; Haldemnn seems sort of nasty in the book, though you tend to see him through Rose Mary Woods—he’s the man who displaced her in a way.  It’s generally that old Graham Greene term—the human factor—that interests me.

RB: George Will’s review

TM: It was actually his syndicated column.

RB: I thought he got it exactly right—that you learn so much from novels by Gore Vidal, Max Byrd, and Robert Penn Warren [“bring… men alive in ways that only a literary imagination can”]. Here’s the thing, it seems that no one knew who ordered the break-in, but what does beg for emphasis is that the real crime was the cover-up. That’s what brought Nixon down. One wonders what might have happened if he had cut his losses? Was he incapable of admitting he was wrong or mistaken?

TM: A lot of it involves Mitchell. It’s true that nobody knows for sure, to this day, who told them to go into the Democratic National Committee at that point. There is a whole kind of grassy-knoll theory of Watergate that posits something very different, which I don’t buy into.

RB: What, Castro funding the Democrats?

TM: Yeah, and then there is the whole theory that John Dean was the evil mastermind. But it’s fairly easily established that Gordon Liddy presented this plan for massive surveillance and—this crazy—you know, the Gemstone plan—in John Mitchell’s office in the Justice Department early in 1972. If only Nixon had said at the beginning, “all those people are now fired from the committee” and gotten Mitchell to take the fall!  Whether Mitchell signed off on it or not, this was not a meeting that should have ever taken place in the offices of the Justice department.  If Nixon had sacrificed Mitchell—To me the real Rosetta Stone of Watergate is the spring of 1970. It’s when Nixon goes into Cambodia and Kent State follows. There were massive demonstrations in Washington and a ring of buses around the White House. He makes that crazy middle-of-the-night visit to the Lincoln Memorial. The super-charged atmosphere of that—I remember this as a very young man. It was so intense.

RB: Which he had to do anyway.

TM: Eventually. If he had done it at the beginning, he might have survived. But he didn’t want to do it. Mitchell had had so much to do with making him president.

RB: How was it that CREEP was being run out of a government office?

TM: They knew Mitchell was going to run the campaign but he was still attorney general. There is a very large sympathetic biography of Mitchell called The Strong Man by James Rosen, which is very interesting. It won’t convince everybody, but it’s a full-bodied picture of Mitchell. Nixon ultimately blamed Martha Mitchell [for his downfall]. One of the things that was clear to me—the Mitchells were a love match. It was a second marriage for both of them. And Mitchell, I think, really loved Martha. But Martha was tremendously out of control.

RB: Was she always a drunk?

TM: I think so, but her problems at that point were really severe. She really needed to be in a sanitarium. Nixon used to say that it was because of Martha—John’s preoccupation with her troubles —that [Mitchell] wasn’t minding the store. That’s as far as he would go in blaming him. But he was not going to cut him loose in ’72.

RB: They ultimately divorced, right?

TM: Yes, and she ultimately became quite ill and died in ’76.

RB: The break-in wasn’t the only illegality in that nexus of events—the plumbers and the burglarizing of [Daniel]Ellsberg’s shrink’s office, Donald Segretti’s dirty tricks—

TM: He was pretty low-rent. But even Mitchell referred to the “White House horrors”—they knew they had these secrets that were really—

RB: And lots of undocumented cash.

TM: Right. Well, as he famously says to Dean on that tape, “We could get a million dollars. It’d be wrong but we could do it.” People often date the point at which Nixon goes off the deep end to Ellsberg’s publication of The Pentagon Papers. [2]So Nixon, like many presidents, became obsessed with leaks. And he forms this squad, “the plumbers,” to deal with them. And to some extent, yes, that is the crucial turning point:  thats what brings Howard Hunt into the White House. But to me the real Rosetta Stone of Watergate can be found a year before that—to me it’s the spring of 1970. It’s when Nixon goes into Cambodia and Kent State follows. There were massive demonstrations in Washington and a ring of buses around the White House. He makes that crazy middle-of-the-night visit to the Lincoln Memorial. The super-charged atmosphere of that—I remember this as a very young man, it was so intense—that was what gave Nixon a Manichean view of the world, this us-against-them view. In some ways, that set in motion everything that followed.

RB: There’s not a lot of Kissinger’s presence, but [the book] does say a lot about him (laughs).

TM: Well. It’s all there on the tape.  I refer to something like “guttural rumbling gravitas.”  I wish I could quote myself better. Any time these tapes are released, anyone who has the slightest regard for Richard Nixon has to crawl into a hole for days. You hear these awful things, these slurs and all his prejudices. Many of which to Nixon were a species of tough-guy locker room talk—he worshipped toughness. This last batch, oh my god. Kissinger comes off worse than Nixon. They are talking about the plight of Soviet Jewry. And Kissinger says something like, “If a million Jews were to perish, it is not a national security issue. It is perhaps a human tragedy.” My friend Hitchens said, when those were released, “You’ve got to love that ‘perhaps.’”

RB: You dedicated this book to Christopher Hitchens.

 

Christopher Hitchens circa 2001[photo Robert Birnbaum copyright 2016]

Christopher Hitchens circa 2001[photo Robert Birnbaum copyright 2016]

TM: Yes, I loved him to pieces. And admired him.

RB: I think many people did, even through the twists and turns of his politics. He was brilliant.

TM: Yes, very brave. Lived between two fires.

RB: What other journalist had himself water-boarded to ascertain whether it was torture?

 

Fellow Travelers by Thomas Mallon

Fellow Travelers by Thomas Mallon

 

TM: He was a very gentle person too. The tributes to him have been enormous and well deserved but that was the one side that they didn’t quite catch. In my novel Fellow Travelers there is a left-wing journalist for The Nation called Kenneth Woodford who is very kind to the hapless little gay guy, the protagonist Laughlin. And that was Hitchens, and he never recognized himself in it. I know he read the book—we talked about it. He even wrote something about it.

RB: Is there anyone that is like him?

TM: No, there is nobody. I remember he was debating a rabbi when the atheism book came out. And the rabbi said, “Now, Mr. Hitchens, I didn’t interrupt you.” And Hitchens said very softly, “You’re not quick enough.” (both laugh) I don’t think there was anybody who was as fast on his feet—he could debate anyone. And he was a literary man as well as a political man. I just think he was—I mean the grace with which he handled the last 18 months!  He put up a brutal fight against cancer. The pieces he wrote for Vanity Fair about that received a lot of well-deserved acclaim—a lot of people who read those pieces, what they didn’t realize was that all the time he was writing them he was still writing his pieces for Slate about Gadhafi, the election, and whatever was going on. Still doing his real work.  That was really quite heroic.

They are reissuing three of his books in the next couple of months—the book about the Clintons, Kissinger, and the book about Mother Teresa. They have new introductions; I did one for Mother Teresa. Which means another few years in Purgatory, I’m sure. He had this very eclectic mix of people around him because he was on so many political sides. You could go to dinner there and Grover Norquist would be across the table, [Salman] Rushdie would be next to you. And he had a lot of younger conservative journalists around during the Iraq War—also political operatives, people in the administration—they were thrilled to have this blue-chip intellectual backing Bush’s Iraq position, and I always used to sit there waiting for what I called “the Mother Teresa moment.”  I would think, just wait, the conversation is going to take another turn. They are going to have to deal with the fact that Hitchens is an unreconstructed socialist—he called himself a socialist until the day he died. And they were going to have to realize that he was all of a piece.I don’t intend to go on forever. People do. But not everyone has these bursts like [Philip] Roth in their 70s.

RB: So, did you have fun writing Watergate?

TM: I did. Much more than many other books (chuckles). One of the things I was amazed at was, once I really dug into it, it came back to me so quickly. Details, quotes, minor players.

RB: Meaning you didn’t have to do much research?

TM: I did, but it was all sort of there. Like dragging a file out from some drawer. It stuck with me because A) it was so vivid and B) I was so young—you absorb and retain at that age. The amount of stuff available—[the players in the Watergate drama] almost all wrote memoirs, if only to pay their legal bills. There are all the committee transcripts; there are the tapes. It’s that rare subject where I wished there was less.

RB: E.L. Doctorow says he does as little research as he can get away with.

TM: I do think that anybody writing this kind of fiction has to start writing before he completes his research–or else he falls into dissertation syndrome—“I can’t start writing until I have read everything.” And that’s a prescription for never starting.

RB: You had an opportunity to lionize Senator Sam Ervin but you ended up giving attention to Mississippi Senator  James Eastland.

TM: Well, Ervin is so familiar. Eastland was crucial to developing [Fred] LaRue.  LaRue was the one who would bring to Eastland, who was head of the Judiciary Committee, Nixon’s conservative judicial nominations.  And he was another Mississippian. So I had a few Jubilation T Cornpone scenes.

RB: In writing a book like this is there a beginning and an end? What’s next?

TM: I’m going to write about Reagan next.

RB: What happened to the murder book?

TM: It’s been bumped again. If I ever do that one, it would be my tenth novel and that might be it. I don’t intend to go on forever. People do. But not everyone has these bursts like [Phillip] Roth in their 70s. I am going to try to write about Reagan’s Washington, set around the time of the Reykjavik summit, which was a thrilling, bizarre episode. I still write a lot of nonfiction and I am kind of grateful—I’m now 60, which is pretty young—

RB: It’s the new 40.

TM: It’s still young in absolute terms, but I can see reaching a point—I hope I am a few books away from it—when it comes time to bring the plane in for a gentle landing. I still love writing essays and reviews and all the rest. Maybe I can content myself with that?

RB: Well, the conventional wisdom for maintaining mental acuity is “Use it or lose it.”

TM: I do think the real challenge in writing novels and particularly a book like this is organization and structure. There is this massive amount of material to corral into some sort of discernible shape.

RB: So many choices.

TM: That’s the thing. I had lists of dozens of characters—do I go with that person or that person? Eventually you have to make a decision and narrow it down and eliminate people.    You have that nice little magazine up here called Ploughshares, and they are doing an essay issue that’s being edited by my friend Patricia Hampl, a wonderful memoirist. So she’s been putting the touch on all of her writer pals for essays. And I’m doing a little nonfiction thing about Nixon, trying to figure out my preoccupation with him.

RB: Perhaps the greatest indictment of Nixon was in Charles Baxter’s essay “Burning Down the House,” where he faults Nixon for introducing the dysfunctional narrative by employing “mistakes were made…”

TM: The irony is we will never have a president who is more real to us than Nixon–for all his unreality.  You have some tapes that Kennedy made, Johnson made, whatever. But to have all those tapes—Nixon unbound, sometimes unglued—to be able to hold those against all of his recorded public utterances:  that’s an extraordinary thing.

RB: He taped everything.

TM: But he didn’t do it for the first two years. He got rid of Johnson’s taping system at the beginning. And then they decided that the quality of memoranda they were getting from the people who were supposed to record meetings (the low man on the totem pole would be the note taker) was just too low.  Haldeman, in his efficient way, so disliked the quality of what they were getting that he said, “Let’s just tape everything. These things aren’t worth a damn when you try to refer to them.” Once he did it, he went into it in such an enormous way. There must be at least one tape of Nixon listening to the tapes too.

RB: (laughs)

TM: Before the tapes were made public, and the system was then instantly dismantled, in the Spring of ’73, Nixon wants to listen to a tape of that March 21 meeting with John Dean (“we could get a million dollars”). He has one of his aides rig up the tapes so he can listen in hi Executive Office Building hideaway—that had a taping system, too. So there has to be a tape of Nixon listening to himself.  The tapes do put you there in a way that they will never put you in there again.

RB: Do Americans want their president to be human, to be real? Mitt Romney is ridiculed for trying to be a man of the people

TM: Yeah, well, this crew that’s out there now—what he [Nixon] would make of them!  The idea that an election would be hinging on these “social” issues would just bore him. He even said to Mitchell at one point—supposedly said,  just when the presidency was beginning—“You be President, and I’ll be Secretary of State.” To him it was essentially the office from which the foreign affairs of the country were conducted. One of the reasons his domestic programs by and large were so liberal—guaranteed national income, health care, big funding for the arts, all the rest—I don’t think all that engaged him very much. He wanted to be free of that.  Ehrlichman, who was in charge of domestic affairs, felt they didn’t get enough of Nixon’s attention. Nixon said at one point—and I have him speak this line to Rose Mary Woods—“The country can basically run itself domestically.” A sort of Coolidge notion,  in a way. Even though he went in for lots of government intervention and programs.

RB: Later there were efforts to rehabilitate him based on his foreign policy expertise.

TM: He wrote serious books and he never took a fee for a speech.

RB: Was he broke when he resigned?

TM: Yes. He needed to write his memoirs to make money. But they lived modestly at the end. He still did a lot of foreign travel and he gave his advice freely to every American president that followed him. Nixon’s epilogue scene here is his last trip to Russia, just before he dies. And he reports on that to Clinton. And Clinton even says to his advisors, “Why don’t I get memos this good from my ambassadors and staff?” He was a much better ex-president than president.

RB: Clinton was particularly laudatory when Nixon died.

TM: He said something like, “The time has long passed when we should judge Richard Nixon on anything but the totality of his life.” In other words there was more to him than Watergate. I used to wonder how Robert Caro, year after year, book after book, stuck with Johnson (laughs). I still wonder—

RB: Malone wrote six volumes on Jefferson.

TM: —but I could sort of see it after just a couple of years with Nixon.  I didn’t feel as if I’d exhausted anything.

RB: I don’t know who wants to read those door- stop biographies. I like the 200-page biographical essays by someone who is simpatico—Larry McMurtry on Crazy Horse, or Cabrera Infante on José Martí. But I see that  biographers like Caro are good about clarifying the social/historical milieu surrounding their subjects.

TM: Yes, yes. His books are these big history paintings, these murals. But biography—I’m not tempted. It’s too onerous, too difficult.  It’s one thing to go from fiction to criticism, reviewing. But to go from fiction to narrative non-fiction… I’ve been amused by this John D’Agata book, The Lifespan of a Fact. Not my idea of nonfiction. I worked on that little book of mine, Mrs. Paine’s Garage, after a real spate of fiction—Dewey Defeats Truman, Two Moons, and I found it so difficult not to be able to fall back on saying, “Well, it’s a novel,  I can change this.” It had to go through the strainer of the New Yorker fact-checking department. And I just can’t imagine that burden in writing biography, let alone the burden of assembling all the material. I just can’t see it.Aside all the campaigning he did for people, [Nixon] was preparing himself for the presidency. [Palin] couldn’t care less. With her it’s become president or get a better deal with a reality TV show.

RB: Have you seen Game Change?[3]

TM: No.

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

Thomas Mallon [photo: Robert Birnbaum copyright 2016]

RB: Do you read those kinds of books? Read that book?

TM: Not many. I read him, John Heilemann—I read him in New York magazine and I hope I will see the movie with Julianne Moore.

RB: She’s incredibly convincing as Palin. But everybody involved as a player claims it’s fiction. The end the movie has McCain telling Palin she is now a kingmaker in the Republican Party. Is she a leader of the GOP?

TM: No, no. No. No. Look, I argued in 2008 with my friends that nobody who was in the United States Senate for three years was ready to be president.  So nobody who was the Governor of Alaska for two years is ready to be president.

RB: John McCain was prepared to be president?

TM: Well, all those years in Congress.

RB: George Bush was ready to be president?

TM: Six years as governor of Texas—that’s a weak office. Probably not, ideally.  But I think Palin had been to Mexico:  that was her international travel. She may have stopped in Germany on her way to make a lightning visit to Iraq. She had never seen any of the countries we’re allied with. That strikes me as incredible.

RB: But that’s what politics has degenerated to since Nixon—commercials and advertising. Eagles and flags and all the rest of the beer commercial imagery.

TM: Look at those years Nixon was out of office.  He was an enormous foreign traveler. He would meet with whoever was in power and with the leader of the opposition too. As a former vice-president—anybody was going to see him.  Aside from all the campaigning he did for people, he was preparing himself for the presidency. [Palin] couldn’t care less. With her it’s become president or get a better deal with a reality TV show.

RB: Quitting the governorship was a telling move.

TM: Also, how hard could it have been (laughs)?

RB: Who do you think could be president? Who could do the job?

TM: Umm. Well, uh, I was alone in my peer group who thought McCain could.

RB: Not based on his values but because he knows how things work?

TM: His experience, yeah.   Even though he has been wrong on just about everything through the years, in terms of experience, Biden would be creditable. John Kerry was a creditable candidate. There are other reasons why I might not want them, but I do think people should know something. One result of 2008, and it’s a combination of Obama and Palin—in most respects there is no comparison (intelligence, curiosity, etc.)—but having both of them on the ticket, it has definitely driven down the expectation of experience. People with such thin resumes running for the top offices.

RB: That strikes me as basis for Biden’s place on the ticket.

TM: Oh sure. Once McCain put Palin on the ticket he lost the opportunity to say to Obama, “You’re not prepared to be president. You need more seasoning in the Senate.” Their obvious rebuttal would be the choice he made to be a heartbeat away. His campaign threw away a pretty compelling argument. I think a lot of people would have looked at Obama and said—here’s a very bright guy, come back in four years.

RB: Well, come back in four years with your Ronald Reagan book. Thanks again.

TM: I will. [And he did] see here

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1. Identitytheory —(my first)conversation with Christopher Hitchens

2. The Pentagon Papers

3. HBO’s Game Change 

Then and Now or Now and Then

9 Mar


I grew up reading Theodore White’s groundbreaking (at the time) The Making of The President series. So following the devolution of presidential campaign coverage has been a bittersweet amusement these past fifty years. Though it must be said that my serious interest ended with Tim Cruise’s Boys on The Bus and Hunter Thompson’s Fear and Loathing: On the Campaign Trail ’72.I suspect much of that lapse has to do with the takeover of electioneering by advertising and marketing savants and also the mechanization of political campaigns— and not least, the generally unappealing and lackluster candidates.

Following the 2008 campaign mainstream journalists John Heilemann and Mark Halperin offered Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime (Harper) as the authoritative first draft of that historic episode which most certainly had the most interesting dramatis personae in at least a generation.None more enthralling than the hitherto unknown governor from the great state of Alaska, Sara Palin.

Now comes HBO’s Game Change (directed by Jay Roach, produced by Tom Hanks, written by Danny Strong)

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The obvious focus of this film is the selection of Palin as John McCain’s running mate and her subsequent ordination as a not-to-be-ignored conservative messiah (which as the film ends is strongly hinted at).
The film’s writer Danny Strong explains [in the Palin chapters] “what was happening behind the scenes was 10 times more amazing than what was happening in the public eye. I was amazed by how beautifully it was going to beat out as a movie.”

Of course, all the principles have decried the film as fiction (McCain hasn’t seen it—but as befits a man of his intellect, he has relied on what he has been told). McCain’s wife has said that her hubby is cuter than Ed Harris who portrays McCain. Former Bushist water carrier David Frum has an interesting take on Palin (whether or not it is represented in the film

…Palin’s humiliation in 2008 at the hands of journalists, campaign consultants, and comedians deformed her character, and the person who emerged from that wounding experience has in turn done her part to degrade American politics over four long years of economic hardship.

Quite aside from its considerable value as entertainment, Game Change provides a perfect opportunity to begin counting the political and cultural costs of Sarah Palin’s abrupt rise and painful fall.

As long as you are not depending on this film or Margin Call or Too Big To Fail and the like to provide the factual basis for your thoughts on the stature of the nation, Game Change represents some moments of dramatic interest as well as a sense of the array political values in play today (though West Wing seemed to be the best exemplar political drama).By the waY, it does not hurt Game Changes’s plausibility that Julliane Moore uncannily resembles Sarah Palin.

As long as I am expiating on historical fact and fiction, Thomas Mallon who wrote Henry and Clara (one of my favorite of his books about the couple sitting next to Abraham Lincoln at the Ford Theater on that fateful night) and six or seven novels has a new opus,Watergate (Pantheon). As everyone remembers and is now being reminded, the grandaddy of all the “gates” is coming on its 40th anniversary. I don’t why we should care about that but it is the case that once again Mallon( as in Dewey vs Truman ,Fellow Travelers and Bandbox) has fashioned an entertaining Shakespearean narrative out of the 1972 Republican electoral misdeeds and spiced it up with some interesting improbabilities. Watergate has been widely (and favorably) reviewed, so take your choice for more detailed commentary.

In a rare moment of coincidence, I find that Beltway bloviator George Will expresses an opinion that I have long held:

Most Americans have no living memory of Watergate, and Mallon’s novel, which merits many readers, will be for many of them a primer, perhaps whetting their curiosity about this ugly discontinuity in the nation’s governance. Novels can be fine supplements to histories.

Dumas Malone’s six-volume biography of Thomas Jefferson and Robert V. Remini’s several books on Andrew Jackson are splendid, but Max Byrd’s historical novels about the third and seventh presidents bring both men alive in ways that only a literary imagination can. One measure of Lincoln’s greatness is that not even a curdled cynic like Gore Vidal could resist the spell in his novel “Lincoln.” To understand Huey Long, read T. Harry Williams’ masterful biography, but then get inside the scoundrel’s skin by reading Robert Penn Warren’s portrait of Long as Willie Stark in the novel “All the King’s Men.”

Currently reading The Snopes by William Faulkner( Modern Library)

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